The Arts

July 7, 2015

Jackson Pollock and David Alfaro Siqueiros

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Written by: Nydia O
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siqueiros and pollock

Siqueiros was passionately committed to technical innovation. He believed that revolutionary art called for revolutionary techniques and materials and considered the paintbrush “an implement of hair and wood in an age of steel.” Collective Suicide offers a compendium of the radical techniques the artist explored as part of the Siqueiros Experimental Workshop he founded in New York in 1936. He airbrushed paint across the top third of the panel of his painting Collective Suicide and used stencils to depict the vast army of invading seventeenth-century Spanish conquistadors on horseback (lower right) and Chichimec Indians leaping to their deaths to avoid subjugation (left). The swirling vortexes are pools of fast-drying commercial lacquer typically used on cars.

A member of the workshop later recalled that they applied this paint “in thin glazes or built it up into thick gobs. We poured it, dripped it, splattered it, and hurled it at the picture surface.” Siqueiros’s radical experiments proved influential for Abstract Expressionist artist Jackson Pollock, in particular, who was a member of the Workshop.

If you’re interested in a movie about David Alfaro Siqueiros I highly recommend  EL Mural on YouTube

In the featured photograph: Siqueiros and Members of his Experimental Workshop in New York City , c. 1935. Photograph © Archivo CENIDIAP-INBA

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About the Author

Nydia O
A bird does not sing because it has an answer, it sings because it has a song.-Maya Angelou. La Vida Valle is where I write about "la vida" my life in the Rio Grande Valley. From this bi-cultural corner on the tip of Texas, I share my poems and my spiritual and travel experiences. I also blog about the arts, nature and my passion for historic preservation and architecture. But most importantly, let's talk about "la vida" - living our lives - in a vacation state of mind. Contributions and comments are always welcome .


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